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Byung-Chul Han (born 1959) is a South Korean-born philosopher and culture theory living in Germany. He was a professor at the Berlin University of the Arts and still occasionally gives courses there. His work largely centers around critiques of neoliberalism and its impact on society and the individual. Although he writes in German, his books have been best received in the Hispanosphere.
In 2000, he joined the Department of Philosophy at the University of Basel, where he completed his habilitation. In 2010, he became a faculty member at the Karlsruhe University of Arts and Design, where his areas of interest were philosophy of the 18th, 19th and 20th centuries, ethics, social philosophy, phenomenology, cultural theory, aesthetics, religion, media theory, and intercultural philosophy. From 2012 to 2017 he taught philosophy and cultural studies at the Universität der Künste Berlin (UdK), where he directed the newly established Studium Generale general studies program.
Han is the author of more than thirty books, the most well known are treatises on what he terms a "society of tiredness" () and a "society of transparency" (). He also wrote about the concept of Shanzhai, a style of imitative variation, which pre-exist practices known in Western philosophy as deconstruction.
Han's current work focuses on transparency as a cultural norm created by neoliberal market forces, which he understands as the insatiable drive toward voluntary disclosure bordering on the pornographic. According to Han, the dictates of transparency enforce a totalitarian system of openness at the expense of other social values such as shame, secrecy, and trust. To rebel against digital capitalism, Han does not own a smartphone, does not engage in tourism, only listens to music in analog form, and has spent years cultivating a 'secret garden', an experience he describes in his book In Praise of the Earth.
In The Burnout Society (original German title: Müdigkeitsgesellschaft), Han characterizes today's society as a pathological landscape of conditions such as depression, attention deficit hyperactivity disorder, borderline personality and burnout. He claims that they are not "infections" but "infarcts", which are not caused by the negativity of people's immunology, but by an excess of positivity. According to Han, driven by the demand to persevere and not to fail, as well as by ambitions of efficiency, we become committers and sacrificers at the same time and enter a swirl of demarcation, self-exploitation and collapse. Han explains that "When production is immaterial, everyone already owns the means of production, him- or herself. The neoliberal system is no longer a class system in the proper sense. It does not consist of classes that display mutual antagonism. This is what accounts for the system's stability."Han, "Psychopolitics" (2017), p. 13
Han argues that subjects become self-exploiters: "Today, everyone is an auto-exploiting labourer in his or her own enterprise. People are now master and slave in one. Even class struggle has transformed into an inner struggle against oneself." The individual has become what Han calls "the achievement-subject"; the individual does not believe they are subjugated "subjects" but rather "projects: Always refashioning and reinventing ourselves" which "amounts to a form of compulsion and constraint—indeed, to a "more efficient kind of subjectivation and subjugation." As a project deeming itself free of external and alien limitations, the "I" subjugates itself to internal limitations and self-constraints, which are taking the form of compulsive achievement and optimization.Han, "Psychopolitics" (2017), p. 21
In Agonie des Eros ('Agony of the Eros') Han carries forward thoughts developed in his earlier books The Burnout Society (Müdigkeitsgesellschaft) and Transparency Society (Transparenzgesellschaft). Beginning with an analysis of the "Other" Han develops an interrogation of desire and love between human beings. Partly based on Lars von Trier's film Melancholia, where Han sees depression and overcoming depicted, Han further develops his thesis of a contemporary society that is increasingly dominated by narcissism and self-reference. Han's diagnosis extends even to the point of the loss of desire, the disappearance of the ability to devote to the "Other", the stranger, the non-self. At this point, subjects come to revolve exclusively around themselves, unable to build relationships. Even love and sexuality are permeated by this social change: sex and pornography, exhibitionism/voyeurism and re/presentation, are displacing love, eroticism, and desire from the public eye. The abundance of positivity and self-reference leads to a loss of confrontation. Thinking, Han states, is based on the "untreaded", on the desire for something that one does not yet understand. It is connected to a high degree with Eros, so the "agony of the Eros" is also an "agony of thought". Not everything must be understood and "liked", not everything must be made available.
In Topologie der Gewalt ('Topology of Violence'), Han continues his analysis of a society on the edge of collapse that he started with The Burnout Society. Focusing on the relation between violence and individuality, he shows that, against the widespread thesis about its disappearance, violence has only changed its form of appearance and now operates more subtly. The material form of violence gives way to a more anonymous, desubjectified, systemic one, that does not reveal itself, as it is merging with its antagonist – freedom. This theme is further explored in "Psychopolitics", where through Sigmund Freud, Walter Benjamin, Carl Schmitt, Richard Sennett, René Girard, Giorgio Agamben, Deleuze/Guattari, Michel Foucault, Michel Serres, Pierre Bourdieu and Martin Heidegger, Han develops an original conception of violence. Central to Han's thesis is the idea that violence finds expression in 'negative' and 'positive' forms (note: these are not normative judgements about the expressions themselves): negative violence is an overtly physical manifestation of violence, finding expression in war, torture, terrorism, etc; positive violence "manifests itself as over-achievement, over-production, over-communication, hyper-attention, and hyperactivity." The violence of positivity, Han warns, could be even more disastrous than that of negativity. "Infection, invasion, and infiltration have given way to infarction."
The Guardian wrote a positive review of his 2017 book Psychopolitics: Neoliberalism and New Technologies of Power, while the Hong Kong Review of Books praised his writing as "concise almost to the point of being aphoristic, Han's writing style manages to distill complex ideas into highly readable and persuasive prose" while noting that "on other occasions, Han veers uncomfortably close to billboard-sized statements ("Neoliberalism is the 'capitalism of' Like), which highlights the fine line between cleverness and self-indulgent sloganeering." Along similar lines, others observe that he writes with a style "more typical of literature than philosophical essays", though Han contends that "In the past, "I wrote differently. I wrote books that were very difficult to read, without thinking about whether they were understandable. But now, for me, accessibility is very important."
In 2025, Han was awarded the Princess of Asturias Awards for his writings on the ills of digital technology and contemporary capitalism.
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